BETH BROWER'S SOUNDTRACK FOR

The Beast of Ten


WHEN I BEGIN A BOOK the story always comes first. But then I start paying attention to what music reaches out towards my story, and towards the characters, what songs seem to belong with the words. A few of these songs I find in the process of the first draft, most the second or third, and some are found and added during the seventh or ninth! Finding ties between my writing and the music I love is a significant thing for me, even more so when a character picks the songs themselves.

I USED SPOTIFY to embed the songs. If you don't have an account, you can download one for free. I also typed up a complete list on the bottom of this page, that you can copy if you want to piece the soundtrack together through Itunes, or listen on YouTube. (When you click on it, it may take a moment to load.)

SPOILER ALERT: I have tried to be vague enough, but specific enough, so that the readers know what scene or chapters the song ties to. I would highly recommend you reading the book before continuing. 

Enjoy!


The Complete List

1) Bad * U2

My Title: THEME FOR THE BEAST OF TEN

In my mind, this is the last song on the soundtrack. The final credits. The music that encompasses the beginning to the end. But as I didn't want to risk it not being heard, I'm putting it on the top. This was the very first song on the soundtrack. It came early, and proved itself to be the anthem of this journey. It expresses the heart and soul of the thing well. And when I'm listening to it, I can't help but sing the lines below. 

"I'm wide awake. I'm wide awake.  I'm wide awake. I'm not sleeping."


2) Obliviate * Alexander Desplat

My Title: JOURNEY TO THE PYRE

"I endure this darkness, petrified..."


3) Evening Falls * Enya 

My Title: LONG NIGHTS IN THE BELL TOWER

Ember. Holding on to home.


4) Song for Bob  by Nick Cave & Warren Ellis 

My Title: I KNOW NOTHING OF THE VIRTUS THIRD

This song is about the weight of what is to come, the fear that one may not be enough, and the uncertainty of not knowing one's place in the journey.


5) Crystal Village by Pete Yorn 

My Title: ASTRICK AND THE WINDOWS 

This is a song for Astrick. It is mostly about the windows of the Pyre, and his unabashed love for them. It is about some other things as well.


6) Symphony of Sorrowful Songs by Gorecki 

My Title: TO RECLAIM A BEAST OF TEN  or LONELINESS

Many, if not all, of the songs on this soundtrack fit several scenes. This beautiful piece touches on some of the feelings Ember has upon learning what is required to become a Beast of Ten. It touches on the realities of what the Bleak has done in this world. It articulates Ember's loneliness. And finds the notes for all of the feelings that stretch so tenuously around all of these sorrows.


7) Flicker by Niall Horan

My Title? NOTHING MORE BEAUTIFUL

This was one of the songs that came after everything was long written. My little sister showed it to me. I listened to it on repeat while preparing the book for publication. It reminds me of Ember's first experience with the Bleak's beleaguered light on his tenth line, how there was nothing more beautiful, and all that ensues in that part of the journey. It follows the maturing of that relationship.

"Then I look in my heart. There's a light in the dark. Still that flicker of hope that you first gave to me. That I want to keep. Please don't leave. Please don't leave."


8) I lived here by Martin Phipps 

My Title? WASHING SPERRO'S HANDS

This was one of the most vivid scenes in the book while I was writing.  It was what happened. I could have done nothing to alter it. I was a silent guest, pen in hand. I have it this song, although this song stretches through many important scenes in this book. The first time I stepped into this scene in the kitchen, I knew I was witnessing something holy. I did my best by it. 


9) Rose Garden by Adrian Johnston

My Title? AT THE PYRE

This song canvases many scenes and moments. It abides on different pages. 


10) O Come O Come Emanuel by Mannheim Steamroller

My Title? THESE ARE THE PRAYERS

The prayers of the Virtus Third were taken from the Latin lyrics to 'O Come O Come Emanuel'. They are also the words used Vespers, the evening prayers used in many Christian litergies. I have always loved this prayer/hymn, the depth and wonder of it, and was happy to find it had such a significant place at the Pyre. The reverence Astrick gives the words is also my own.


11) Hero * Family of the Year

My Title? SO VERY WEARY

The feeling of this song reminds me of how weary everyone grows. Ember. Astrick. Sperro Magna. It reminds me of the side places of the heart, that hurt with a deep breath, a sweet ache.


12) Mothers of the Disappeared by U2 

My Title? THE RECKONING BEGINS

Someday, when we are very old, I will tell you more of Sperro's reckoning, of his dreams, and of the souls that filled the Pyre. 


13) Winter * Kina Grannis

My Title? Winter

This song was one of the first draft arrivals. A story spun by the beautiful voice of Kina Grannis. Settle the beauty of this song wherever you feel it should go. For that is probably where it belongs.


14) Kathy's Song * Eva Cassidy 

My Title? RAIN

This song has exactly one, beautiful moment. As you know. 


15) Lifelines * A-Ha

My Title? 

I listened to this song a lot during the final few months of getting the book ready. It was something to run in the background while I worked. My husband informed me it was on his Beast of Ten soundtrack. As it had made it onto mine.

"One chance to get back to the point where everything starts. One chance to keep it together, Things fall apart. One sign to make us believe it's true."


16) Cold Lamb Sandwich * Thomas Newman

My Title? HEARTBEAT & THE EPILOGUE

There is a sweetness that comes in the final scenes before the last battle, both earned and graced. Like a heartbeat. It is a twin sweetness to what carries on beneath the epilogue. 


17) When You Come Back Down * Nickel Creek

My Title? HOLDING EMBER UP

This song makes me think of Astrick's unflagging support of Ember. His ability to stand and be. I love  the lyric, "I'll keep looking up, awaiting your return, and my greatest fear will be that you will crash and burn, and I won't feel your fire. I'll be the other hand that always holds the line..." Astrick was a unique character because he was so undivided, so whole. I meet few people like that, and few characters. The call of the day would be to divide him out, to chip something off. Well, he was that steady. He was that clear. I'm glad he was, too. 


BELOW ARE THE SONGS WITH THEIR DESCRIPTIONS POSTED INDIVIDUALLY.


1) THEME SONG FOR  THE BEAST OF TEN

In my mind, this is the last song on the soundtrack. The final credits. The music that encompasses the beginning to the end. But as I didn't want to risk it not being heard, I'm putting it on the top. This was the very first song on the soundtrack. It came early, and proved itself to be the anthem of this journey. It expresses the heart and soul of the thing well. And when I'm listening to it, I can't help but sing the lines below. 

"I'm wide awake. I'm wide awake.  I'm wide awake. I'm not sleeping."

Bad, a song by U2 on Spotify


2) JOURNEY TO THE PYRE

"I endure this darkness, petrified..."

Obliviate, a song by Alexandre Desplat on Spotify


3) LONG NIGHTS IN THE  BELL TOWER

Ember. Holding on to home.

Evening Falls.., a song by Enya on Spotify


4) I KNOW NOTHING OF  THE VIRTUS THIRD

This song is about the weight of what is to come, the fear that one may not be enough, and the uncertainty of not knowing one's place in the journey.

Song for Bob, a song by Nick Cave, Warren Ellis on Spotify


5) ASTRICK AND THE WINDOWS

This is a song for Astrick. It is mostly about the windows of the Pyre, and his unabashed love for them. It is about some other things as well.

Crystal Village, a song by Pete Yorn on Spotify


  6)  TO RECLAIM A BEAST OF TEN & LONELINESS

Many, if not all, of the songs on this soundtrack fit several scenes. This beautiful piece touches on some of the feelings Ember has upon learning what is required to become a Beast of Ten. It touches on the realities of what the Bleak has done in this world. It articulates Ember's loneliness. And finds the notes for all of the feelings that stretch so tenuously around all of these sorrows.

Symphony No. 3, Op. 36, "Symfonia piesni zalosnych" (Symphony of Sorrowful Songs): II. Lento e largo - Tranquillissimo, a song by Henryk Górecki, Zofia Kilanowicz, Polish National Radio Symphony Orchestra, Antoni Wit on Spotify


7) NOTHING MORE BEAUTIFUL

This was one of the songs that came after everything was long written. My little sister showed it to me. I listened to it on repeat while preparing the book for publication. It reminds me of Ember's first experience with the Bleak's beleaguered light on his tenth line, how there was nothing more beautiful, and all that ensues in that part of the journey. It follows the maturing of that relationship.

"Then I look in my heart. There's a light in the dark. Still that flicker of hope that you first gave to me. That I want to keep. Please don't leave. Please don't leave."

Flicker, a song by Niall Horan on Spotify


8) WASHING SPERRO'S HANDS

This was one of the most vivid scenes in the book while I was writing.  It was what happened. I could have done nothing to alter it. I was a silent guest, pen in hand. I have it this song, although this song stretches through many important scenes in this book. The first time I stepped into this scene in the kitchen, I knew I was witnessing something holy. I did my best by it. 

I Lived Here, a song by Martin Phipps on Spotify


9) AT THE PYRE

This song canvases many scenes and moments. It abides on different pages. 

Rose Garden, a song by Adrian Johnston, Original Soundtrack, Paul Englishby on Spotify


10) THESE ARE THE PRAYERS

The prayers of the Virtus Third were taken from the Latin lyrics to 'O Come O Come Emanuel'. They are also the words used Vespers, the evening prayers used in many Christian litergies. I have always loved this prayer/hymn, the depth and wonder of it, and was happy to find it had such a significant place at the Pyre. The reverence Astrick gives the words is also my own.

Veni Veni (O Come O Come Emanuel), a song by Mannheim Steamroller on Spotify


11) SO VERY WEARY

The feeling of this song reminds me of how weary everyone grows. Ember. Astrick. Sperro Magna. It reminds me of the side places of the heart, that hurt with a deep breath, a sweet ache.

Hero, a song by Family of the Year on Spotify


12) THE RECKONING BEGINS

Someday, when we are very old, I will tell you more of Sperro's reckoning, of his dreams, and of the souls that filled the Pyre. 

Mothers Of The Disappeared, a song by U2 on Spotify


13) WINTER

This song was one of the first draft arrivals. A story spun by the beautiful voice of Kina Grannis. Settle the beauty of this song wherever you feel it should go. For that is probably where it belongs.

Winter, a song by Kina Grannis on Spotify


14) LIFE LINE

I listened to this song a lot during the final few months of getting the book ready. It was something to run in the background while I worked. My husband informed me it was on his Beast of Ten soundtrack. As it had made it onto mine.

"One chance to get back to the point where everything starts. One chance to keep it together, Things fall apart. One sign to make us believe it's true."

Lifelines - MTV Unplugged, a song by a-ha on Spotify


15) RAIN

This song has exactly one, beautiful moment. As you know. 

Kathy's Song, a song by Eva Cassidy on Spotify


 16)  HEARTBEAT  & THE EPILOGUE

There is a sweetness that comes in the final scenes before the last battle, both earned and graced. Like a heartbeat. It is a twin sweetness to what carries on beneath the epilogue. 

Cold Lamb Sandwich, a song by Thomas Newman on Spotify


17) HOLDING EMBER UP

(This was the only cover Spotify would give me for this song. I know. We can all be sad together. Just pretend it's really the Nickel Creek's cover.)

This song makes me think of Astrick's unflagging support of Ember. His ability to stand and be. I love  the lyric, "I'll keep looking up, awaiting your return, and my greatest fear will be that you will crash and burn, and I won't feel your fire. I'll be the other hand that always holds the line..." Astrick was a unique character because he was so undivided, so whole. I meet few people like that, and few characters. The call of the day would be to divide him out, to chip something off. Well, he was that steady. He was that clear. I'm glad he was, too. 

When You Come Back Down, a song by Nickel Creek on Spotify


Hope you enjoyed the soundtrack! 

Cheers!